"In this series, the artist proposes an exercise in phenomenological observation. Through a triptych that plays with perspective and scale, the work explores the dialectical tension between the imperishable—the stone—and the ephemeral—the citrus slice.

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The repetition of the motif does not seek redundancy, but rather the persistence of the eye upon matter. In the first frame, distance offers a classic still life; in the central plane, the approach monumentalizes the objects, transforming the rock's texture into an architectural landscape and the lemon into a translucent light source. The grey void surrounding the figures acts as a 'non-place,' a liminal space where time appears suspended. Ultimately, the work is a meditation on the fragility of the living against the eternal muteness of the mineral world."